Full frame (cinematography) - Revision history

Waza: Remove deletion notice

2026-09-29T08:31:42Z

Remove deletion notice

← Older revision		Revision as of 08:31, 29 September 2026
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	~~{{Article for deletion/dated\|page=Full frame (cinematography)\|timestamp=20260924112505\|year=2026\|month=September\|day=24\|substed=yes\|help=off}}~~
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	In [[cinematography]], '''full frame''' refers to an image area (today most commonly on a [[Image sensor\|digital sensor]]) that is the same size as that used by a [[135 film\|35 mm]] [[still camera]].<ref>https://pro.sony/ue_US/technology/full-frame-sensor</ref> Still cameras run the film horizontally behind the [[lens]], whereas standard 35 mm [[Motion picture camera\|motion-picture cameras]] run the film vertically. Thus, a 35 mm still camera's image is significantly larger than that of a standard 35 mm motion-picture camera.		In [[cinematography]], '''full frame''' refers to an image area (today most commonly on a [[Image sensor\|digital sensor]]) that is the same size as that used by a [[135 film\|35 mm]] [[still camera]].<ref>https://pro.sony/ue_US/technology/full-frame-sensor</ref> Still cameras run the film horizontally behind the [[lens]], whereas standard 35 mm [[Motion picture camera\|motion-picture cameras]] run the film vertically. Thus, a 35 mm still camera's image is significantly larger than that of a standard 35 mm motion-picture camera.

Waza: 70 revisions imported: Import with full history

2026-09-29T08:16:03Z

70 revisions imported: Import with full history

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wikipedia>Choucas: Nominated for deletion; see :Wikipedia:Articles for deletion/Full frame (cinematography).

2026-09-24T11:25:05Z

Nominated for deletion; see Wikipedia:Articles for deletion/Full frame (cinematography).

← Older revision		Revision as of 11:25, 24 September 2026
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			<!-- Please do not remove or change this AfD message until the discussion has been closed. -->
			{{Article for deletion/dated\|page=Full frame (cinematography)\|timestamp=20260924112505\|year=2026\|month=September\|day=24\|substed=yes\|help=off}}
			<!-- Once discussion is closed, please place on talk page: {{Old AfD multi\|page=Full frame (cinematography)\|date=24 September 2026\|result='''keep'''}} -->
			<!-- End of AfD message, feel free to edit beyond this point -->
	In [[cinematography]], '''full frame''' refers to an image area (today most commonly on a [[Image sensor\|digital sensor]]) that is the same size as that used by a [[135 film\|35 mm]] [[still camera]].<ref>https://pro.sony/ue_US/technology/full-frame-sensor</ref> Still cameras run the film horizontally behind the [[lens]], whereas standard 35 mm [[Motion picture camera\|motion-picture cameras]] run the film vertically. Thus, a 35 mm still camera's image is significantly larger than that of a standard 35 mm motion-picture camera.		In [[cinematography]], '''full frame''' refers to an image area (today most commonly on a [[Image sensor\|digital sensor]]) that is the same size as that used by a [[135 film\|35 mm]] [[still camera]].<ref>https://pro.sony/ue_US/technology/full-frame-sensor</ref> Still cameras run the film horizontally behind the [[lens]], whereas standard 35 mm [[Motion picture camera\|motion-picture cameras]] run the film vertically. Thus, a 35 mm still camera's image is significantly larger than that of a standard 35 mm motion-picture camera.

wikipedia>BlackwellNik: Added non-breaking spaces to multiple instances of 35 mm.

2025-09-03T16:39:43Z

Added non-breaking spaces to multiple instances of 35 mm.

← Older revision		Revision as of 16:39, 3 September 2025
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	In [[cinematography]], '''full frame''' refers to an image area (today most commonly on a [[Image sensor\|digital sensor]]) that is the same size as that used by a [[135 film\|35 mm]] [[still camera]].<ref>https://pro.sony/ue_US/technology/full-frame-sensor</ref> Still cameras run the film horizontally behind the [[lens]], whereas standard 35 mm [[Motion picture camera\|motion-picture cameras]] run the film vertically. Thus, a 35 mm still camera's image is significantly larger than that of a standard 35 mm motion-picture camera.		In [[cinematography]], '''full frame''' refers to an image area (today most commonly on a [[Image sensor\|digital sensor]]) that is the same size as that used by a [[135 film\|35 mm]] [[still camera]].<ref>https://pro.sony/ue_US/technology/full-frame-sensor</ref> Still cameras run the film horizontally behind the [[lens]], whereas standard 35 mm [[Motion picture camera\|motion-picture cameras]] run the film vertically. Thus, a 35 mm still camera's image is significantly larger than that of a standard 35 mm motion-picture camera.

	[[file:135 film perforations.jpg\|thumb\|~~35mm~~ still frame]]		[[file:135 film perforations.jpg\|thumb\|35 mm still frame]]

	[[File:Super35 and Techniscope.png\|right\|thumb\|300px\|~~35mm~~ motion-picture frames]]		[[File:Super35 and Techniscope.png\|right\|thumb\|300px\|35 mm motion-picture frames]]

	Specialty motion-picture formats have used film running horizontally, notably [[VistaVision]] (which produced a "full-frame" image) and [[IMAX]].		Specialty motion-picture formats have used film running horizontally, notably [[VistaVision]] (which produced a "full-frame" image) and [[IMAX]].
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	Historically, most [[Digital cinematography\|digital cinema]] cameras have used [[Super 35]] sized (similar to [[APS-C]]) sensors,<ref>https://vmi.tv/blog/learn-help/guide-to-sensor-sizes-and-lens-formats/</ref> largely to maintain compatibility with existing lenses and to produce traditional "cinematic" [[depth of field]] and [[field of view]].		Historically, most [[Digital cinematography\|digital cinema]] cameras have used [[Super 35]] sized (similar to [[APS-C]]) sensors,<ref>https://vmi.tv/blog/learn-help/guide-to-sensor-sizes-and-lens-formats/</ref> largely to maintain compatibility with existing lenses and to produce traditional "cinematic" [[depth of field]] and [[field of view]].

	Full-frame cameras require lenses with larger [[optics]] and produce shallower depth of field than conventional 35 mm cinema cameras.<ref>https://fstoppers.com/education/understanding-how-sensor-size-affects-depth-field-312599</ref>		Full-frame cameras require lenses with larger [[optics]] and produce shallower depth of field than conventional 35 mm cinema cameras.<ref>https://fstoppers.com/education/understanding-how-sensor-size-affects-depth-field-312599</ref>

	==Technical specifications==		==Technical specifications==

wikipedia>BlackwellNik: Added multiple links to relevant pages.

2025-09-03T15:29:03Z

Added multiple links to relevant pages.

← Older revision		Revision as of 15:29, 3 September 2025
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	In [[cinematography]], '''full frame''' refers to an image area (today most commonly on a digital sensor) that is the same size as that used by a ~~35mm~~ still camera.<ref>https://pro.sony/ue_US/technology/full-frame-sensor</ref> Still cameras run the film horizontally behind the lens, whereas standard ~~35mm~~ motion-picture cameras run the film vertically. Thus a ~~35mm~~ still camera's image is significantly larger than that of a standard ~~35mm~~ motion-picture camera.		In [[cinematography]], '''full frame''' refers to an image area (today most commonly on a [[Image sensor\|digital sensor]]) that is the same size as that used by a [[135 film\|35 mm]] [[still camera]].<ref>https://pro.sony/ue_US/technology/full-frame-sensor</ref> Still cameras run the film horizontally behind the [[lens]], whereas standard 35 mm [[Motion picture camera\|motion-picture cameras]] run the film vertically. Thus, a 35 mm still camera's image is significantly larger than that of a standard 35 mm motion-picture camera.

	[[file:135 film perforations.jpg\|thumb\|35mm still frame]]		[[file:135 film perforations.jpg\|thumb\|35mm still frame]]
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	Specialty motion-picture formats have used film running horizontally, notably [[VistaVision]] (which produced a "full-frame" image) and [[IMAX]].		Specialty motion-picture formats have used film running horizontally, notably [[VistaVision]] (which produced a "full-frame" image) and [[IMAX]].

	Historically, most digital cinema cameras have used [[Super 35]]-sized (similar to APS-C) sensors,<ref>https://vmi.tv/blog/learn-help/guide-to-sensor-sizes-and-lens-formats/</ref> largely to maintain compatibility with existing lenses and to produce traditional "cinematic" depth of field and field of view.		Historically, most [[Digital cinematography\|digital cinema]] cameras have used [[Super 35]] sized (similar to [[APS-C]]) sensors,<ref>https://vmi.tv/blog/learn-help/guide-to-sensor-sizes-and-lens-formats/</ref> largely to maintain compatibility with existing lenses and to produce traditional "cinematic" [[depth of field]] and [[field of view]].

	Full-frame cameras require lenses with larger optics, and produce shallower depth of field than conventional ~~35mm~~ cinema cameras.<ref>https://fstoppers.com/education/understanding-how-sensor-size-affects-depth-field-312599</ref>		Full-frame cameras require lenses with larger [[optics]] and produce shallower depth of field than conventional 35 mm cinema cameras.<ref>https://fstoppers.com/education/understanding-how-sensor-size-affects-depth-field-312599</ref>

	==Technical specifications==		==Technical specifications==
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	==See also==		==See also==
	*[[Image sensor format]]		*[[Image sensor format]]
	*[[35mm format]]		*[[35mm format\|35 mm format]]
	*[[Full-frame digital SLR]]		*[[Full-frame digital SLR]]
	*[[Full-frame mirrorless interchangeable-lens camera]]		*[[Full-frame mirrorless interchangeable-lens camera]]

wikipedia>BlackwellNik: Fixed broken URL

2025-09-03T15:05:09Z

Fixed broken URL

← Older revision		Revision as of 15:05, 3 September 2025
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	Specialty motion-picture formats have used film running horizontally, notably [[VistaVision]] (which produced a "full-frame" image) and [[IMAX]].		Specialty motion-picture formats have used film running horizontally, notably [[VistaVision]] (which produced a "full-frame" image) and [[IMAX]].

	Historically, most digital cinema cameras have used [[Super-35]]-sized (similar to APS-C) sensors,<ref>https://vmi.tv/blog/learn-help/guide-to-sensor-sizes-and-lens-formats/</ref> largely to maintain compatibility with existing lenses and to produce traditional "cinematic" depth of field and field of view.		Historically, most digital cinema cameras have used [[Super 35]]-sized (similar to APS-C) sensors,<ref>https://vmi.tv/blog/learn-help/guide-to-sensor-sizes-and-lens-formats/</ref> largely to maintain compatibility with existing lenses and to produce traditional "cinematic" depth of field and field of view.

	Full-frame cameras require lenses with larger optics, and produce shallower depth of field than conventional 35mm cinema cameras.<ref>https://fstoppers.com/education/understanding-how-sensor-size-affects-depth-field-312599</ref>		Full-frame cameras require lenses with larger optics, and produce shallower depth of field than conventional 35mm cinema cameras.<ref>https://fstoppers.com/education/understanding-how-sensor-size-affects-depth-field-312599</ref>

wikipedia>Hex: Italics are unnecessary

2025-07-15T00:23:30Z

Italics are unnecessary

← Older revision		Revision as of 00:23, 15 July 2025
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	In [[cinematography]], '''full frame''' refers to an image area (today most commonly on a digital sensor) that is the same size as that used by a 35mm ''still'' camera.<ref>https://pro.sony/ue_US/technology/full-frame-sensor</ref> Still cameras run the film ''horizontally'' behind the lens, whereas standard 35mm motion-picture cameras run the film ''vertically''. Thus a 35mm still camera's image is significantly larger than that of a standard 35mm motion-picture camera.		In [[cinematography]], '''full frame''' refers to an image area (today most commonly on a digital sensor) that is the same size as that used by a 35mm still camera.<ref>https://pro.sony/ue_US/technology/full-frame-sensor</ref> Still cameras run the film horizontally behind the lens, whereas standard 35mm motion-picture cameras run the film vertically. Thus a 35mm still camera's image is significantly larger than that of a standard 35mm motion-picture camera.

	[[file:135 film perforations.jpg\|thumb\|35mm still frame]]		[[file:135 film perforations.jpg\|thumb\|35mm still frame]]

123.17.134.107: changing Imax to IMAX

2025-06-19T05:28:26Z

changing Imax to IMAX

← Older revision		Revision as of 05:28, 19 June 2025
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	[[File:Super35 and Techniscope.png\|right\|thumb\|300px\|35mm motion-picture frames]]		[[File:Super35 and Techniscope.png\|right\|thumb\|300px\|35mm motion-picture frames]]

	Specialty motion-picture formats have used film running horizontally, notably [[VistaVision]] (which produced a "full-frame" image) and [[~~Imax~~]].		Specialty motion-picture formats have used film running horizontally, notably [[VistaVision]] (which produced a "full-frame" image) and [[IMAX]].

	Historically, most digital cinema cameras have used [[Super-35]]-sized (similar to APS-C) sensors,<ref>https://vmi.tv/blog/learn-help/guide-to-sensor-sizes-and-lens-formats/</ref> largely to maintain compatibility with existing lenses and to produce traditional "cinematic" depth of field and field of view.		Historically, most digital cinema cameras have used [[Super-35]]-sized (similar to APS-C) sensors,<ref>https://vmi.tv/blog/learn-help/guide-to-sensor-sizes-and-lens-formats/</ref> largely to maintain compatibility with existing lenses and to produce traditional "cinematic" depth of field and field of view.

wikipedia>WikiCleanerBot: v2.05b - Bot T20 CW#61 - Fix errors for CW project (Reference before punctuation)

2024-11-19T04:56:12Z

v2.05b - Bot T20 CW#61 - Fix errors for CW project (Reference before punctuation)

← Older revision		Revision as of 04:56, 19 November 2024
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	Specialty motion-picture formats have used film running horizontally, notably [[VistaVision]] (which produced a "full-frame" image) and [[Imax]].		Specialty motion-picture formats have used film running horizontally, notably [[VistaVision]] (which produced a "full-frame" image) and [[Imax]].

	Historically, most digital cinema cameras have used [[Super-35]]-sized (similar to APS-C) sensors <ref>https://vmi.tv/blog/learn-help/guide-to-sensor-sizes-and-lens-formats/</ref>, largely to maintain compatibility with existing lenses and to produce traditional "cinematic" depth of field and field of view.		Historically, most digital cinema cameras have used [[Super-35]]-sized (similar to APS-C) sensors,<ref>https://vmi.tv/blog/learn-help/guide-to-sensor-sizes-and-lens-formats/</ref> largely to maintain compatibility with existing lenses and to produce traditional "cinematic" depth of field and field of view.

	Full-frame cameras require lenses with larger optics, and produce shallower depth of field than conventional 35mm cinema cameras.<ref>https://fstoppers.com/education/understanding-how-sensor-size-affects-depth-field-312599</ref>		Full-frame cameras require lenses with larger optics, and produce shallower depth of field than conventional 35mm cinema cameras.<ref>https://fstoppers.com/education/understanding-how-sensor-size-affects-depth-field-312599</ref>

wikipedia>GünniX: References

2024-11-13T16:18:41Z

References

← Older revision		Revision as of 16:18, 13 November 2024
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	*[[Silent film]]		*[[Silent film]]
	*[[Reframing (filmmaking)]]		*[[Reframing (filmmaking)]]

			==References==
			{{Reflist}}

	{{DEFAULTSORT:Full Frame}}		{{DEFAULTSORT:Full Frame}}
	[[Category:Film and video terminology]]		[[Category:Film and video terminology]]