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{{Article for deletion/dated|page=The Weight of Chains|timestamp=20261027141609|year=2026|month=October|day=27|substed=yes|help=off|outcome=merging|target=Boris Malagurski}}
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{{Use mdy dates|date=September 2014}}
{{Use mdy dates|date=September 2014}}
{{Infobox film
{{Infobox film
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'''''The Weight of Chains''''' is a 2010 Canadian [[documentary film]] directed by [[Boris Malagurski]].<ref name="politika">[http://www.politika.rs/rubrike/Kultura/Dobri-ljudi-u-zlim-vremenima.sr.html Culture: "Good people in evil times"] {{Webarchive|url=https://web.archive.org/web/20150924125935/http://www.politika.rs/rubrike/Kultura/Dobri-ljudi-u-zlim-vremenima.sr.html |date=September 24, 2015 }} Politika Newspaper | August 28, 2010</ref> The film argues that the [[breakup of Yugoslavia]] was "orchestrated by Western powers in furtherance of imperial ambitions".<ref name="Miller review">{{cite web | url=http://www.worldsocialism.org/spgb/socialist-standard/2010s/2014/no-1313-january-2014/nationalism-and-destruction-balkans | title=Nationalism and Destruction in the Balkans | publisher=[[Socialist Standard]]. | date=January 2014 | accessdate=3 October 2014 | author=Miller, Tristan. | archive-date=October 6, 2014 | archive-url=https://web.archive.org/web/20141006065811/http://www.worldsocialism.org/spgb/socialist-standard/2010s/2014/no-1313-january-2014/nationalism-and-destruction-balkans | url-status=live }}</ref> According to the filmmaker, it also presents stories of "good people in evil times".<ref>[http://www.pressonline.rs/zabava/dzet-set/160324/novi-dokumentarac-srpskog-majkla-mura.html Novi dokumentarac srpskog Majkla Mura] {{Webarchive|url=https://web.archive.org/web/20141129203648/http://www.pressonline.rs/zabava/dzet-set/160324/novi-dokumentarac-srpskog-majkla-mura.html |date=November 29, 2014 }} PressOnline.rs</ref> It was released on December 17, 2010.
'''''The Weight of Chains''''' is a 2010 Canadian [[documentary film]] directed by [[Boris Malagurski]].<ref name="politika">[http://www.politika.rs/rubrike/Kultura/Dobri-ljudi-u-zlim-vremenima.sr.html Culture: "Good people in evil times"] {{Webarchive|url=https://web.archive.org/web/20150924125935/http://www.politika.rs/rubrike/Kultura/Dobri-ljudi-u-zlim-vremenima.sr.html |date=September 24, 2015 }} Politika Newspaper | August 28, 2010</ref> The film argues that the [[breakup of Yugoslavia]] was "orchestrated by Western powers in furtherance of imperial ambitions".<ref name="Miller review">{{cite web | url=http://www.worldsocialism.org/spgb/socialist-standard/2010s/2014/no-1313-january-2014/nationalism-and-destruction-balkans | title=Nationalism and Destruction in the Balkans | publisher=[[Socialist Standard]]. | date=January 2014 | accessdate=3 October 2014 | author=Miller, Tristan. | archive-date=October 6, 2014 | archive-url=https://web.archive.org/web/20141006065811/http://www.worldsocialism.org/spgb/socialist-standard/2010s/2014/no-1313-january-2014/nationalism-and-destruction-balkans | url-status=live }}</ref> According to the filmmaker, it also presents stories of "good people in evil times".<ref>[http://www.pressonline.rs/zabava/dzet-set/160324/novi-dokumentarac-srpskog-majkla-mura.html Novi dokumentarac srpskog Majkla Mura] {{Webarchive|url=https://web.archive.org/web/20141129203648/http://www.pressonline.rs/zabava/dzet-set/160324/novi-dokumentarac-srpskog-majkla-mura.html |date=November 29, 2014 }} PressOnline.rs</ref> It was released on December 17, 2010.


The sequel, ''[[The Weight of Chains 2]]'', was released on November 20, 2014,<ref>{{Cite web |url=http://www.montecasino.co.za/whatson/Events/Pages/Serbian_Film_Festival.aspx |title=The Serbian Film festival at Montecasino |access-date=November 25, 2014 |archive-date=November 3, 2013 |archive-url=https://web.archive.org/web/20131103172752/http://www.montecasino.co.za/whatson/Events/Pages/Serbian_Film_Festival.aspx |url-status=dead }}</ref> while the last part of the trilogy, ''The Weight of Chains 3'', was released on September 28, 2019.{{citation needed|date=November 2020}}
The sequel, ''[[The Weight of Chains 2]]'', was released on November 20, 2014,<ref>{{Cite web |url=http://www.montecasino.co.za/whatson/Events/Pages/Serbian_Film_Festival.aspx |title=The Serbian Film festival at Montecasino |access-date=November 25, 2014 |archive-date=November 3, 2013 |archive-url=https://web.archive.org/web/20131103172752/http://www.montecasino.co.za/whatson/Events/Pages/Serbian_Film_Festival.aspx |url-status=dead }}</ref> while the last part of the trilogy, ''[[The Weight of Chains 3]]'', was released on September 28, 2019.{{citation needed|date=November 2020}}


==Production==
==Production==
The film was sponsored by [[Serbian diaspora]] community organizations, the [[Centre for Research on Globalization]], and private individuals amongst others.<ref name="politika"/><ref>{{cite web|title=Weight of Chains – Sponsors|url=http://www.weightofchains.ca/1/#sponsors|publisher=Malagurski Cinema|archive-url=https://web.archive.org/web/20130102211341/http://www.weightofchains.com/sponsors.html|url-status=dead|archive-date=January 2, 2013}}</ref><ref name="Okovi raspada bivše Jugoslavije">[http://www.vesti-online.com/Dijaspora/drzava/Kanada/Vesti/127741/Okovi-raspada-bivse-Jugoslavije Okovi raspada bivše Jugoslavije] {{Webarchive|url=https://web.archive.org/web/20141106004305/http://www.vesti-online.com/Dijaspora/drzava/Kanada/Vesti/127741/Okovi-raspada-bivse-Jugoslavije |date=November 6, 2014 }} Vesti, April 1, 2011</ref>
The film was sponsored by [[Serbian diaspora]] community organizations, the [[Centre for Research on Globalization]], and private individuals amongst others.<ref name="politika"/><ref>{{cite web|title=Weight of Chains – Sponsors|url=http://www.weightofchains.ca/1/#sponsors|publisher=Malagurski Cinema|archive-url=https://web.archive.org/web/20130102211341/http://www.weightofchains.com/sponsors.html|url-status=dead|archive-date=January 2, 2013}}</ref><ref name="Okovi raspada bivše Jugoslavije">[http://www.vesti-online.com/Dijaspora/drzava/Kanada/Vesti/127741/Okovi-raspada-bivse-Jugoslavije Okovi raspada bivše Jugoslavije] {{Webarchive|url=https://web.archive.org/web/20141106004305/http://www.vesti-online.com/Dijaspora/drzava/Kanada/Vesti/127741/Okovi-raspada-bivse-Jugoslavije |date=November 6, 2014 }} Vesti, April 1, 2011</ref>


The film uses re-compiled archival footage extensively,<ref name="nspm">{{cite web | url=http://www.nspm.rs/kulturna-politika/boris-malagurski-medju-nama-ili-gde-se-denu-184-milijarde-ju-eura.html?alphabet=l | title=Boris Malagurski među nama | publisher=[[Nova srpska politička misao|NSPM]] | accessdate=2 October 2014 | archive-date=October 6, 2014 | archive-url=https://web.archive.org/web/20141006070705/http://www.nspm.rs/kulturna-politika/boris-malagurski-medju-nama-ili-gde-se-denu-184-milijarde-ju-eura.html?alphabet=l | url-status=live }}</ref> which was provided at no cost by [[Radio Television Serbia]].<ref name="MR Elich">{{cite web | url=http://mrzine.monthlyreview.org/2011/elich280711.html | title=Entangled in Neocolonialism | publisher=Monthly Review | work=Interview with Gregory Elich (interviewee in the film) | accessdate=11 September 2014 | archive-date=September 16, 2014 | archive-url=https://web.archive.org/web/20140916163240/http://mrzine.monthlyreview.org/2011/elich280711.html | url-status=live }}</ref>
The film uses re-compiled archival footage extensively,<ref name="nspm">{{cite web | url=http://www.nspm.rs/kulturna-politika/boris-malagurski-medju-nama-ili-gde-se-denu-184-milijarde-ju-eura.html?alphabet=l | title=Boris Malagurski među nama | publisher=[[Nova srpska politička misao|NSPM]] | accessdate=2 October 2014 | archive-date=October 6, 2014 | archive-url=https://web.archive.org/web/20141006070705/http://www.nspm.rs/kulturna-politika/boris-malagurski-medju-nama-ili-gde-se-denu-184-milijarde-ju-eura.html?alphabet=l | url-status=live }}</ref> which was provided at no cost by [[Radio Television Serbia]].<ref name="MR Elich">{{cite web | url=https://mronline.org/2011/07/28/entangled-in-neocolonialism-the-weight-of-chains/ | title=Entangled in Neocolonialism | publisher=Monthly Review | work=Interview with Gregory Elich (interviewee in the film) | access-date=11 September 2014 | archive-date=September 16, 2014 | archive-url=https://web.archive.org/web/20140916163240/http://mrzine.monthlyreview.org/2011/elich280711.html | url-status=live }}</ref>


==Synopsis==
==Synopsis==
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==Critical response==
==Critical response==
The film has received mixed responses,{{According to whom|date=November 2022}} these include ''(ordered by publication date)'':
The film has received mixed responses, these include ''(ordered by publication date)'':


[[Toni Ti]], writing in ''[[Brightest Young Things]]'', a [[Washington DC]] and [[New York City|New York]]-based web magazine, noted that the film "brings up a lot of issues the public may not be aware of". However, she describes the "often-gratingly blatant bias of the film maker". Malagurski, she says "employs a quippy sarcastic tone that sounds incredibly petulant and at times, too amateur for the gravitas subject matter". She goes on, "overall, spending 30 minutes on Kosovo and barely mentioning what really happened in Srebrenica leaves me questioning the director’s choice in taking this approach". Concluding, "what is he trying to show? It can be quite baffling at times".<ref name="Brightest Young Things">{{cite web | url=http://brightestyoungthings.com/articles/movie-review-weight-of-chains-opens-in-dc.htm | title=Weight Of Chains Opens In DC | publisher=Tony Ti - Brightest Young Things | date=May 23, 2011 | accessdate=26 September 2014 | archive-date=October 28, 2014 | archive-url=https://web.archive.org/web/20141028063037/http://brightestyoungthings.com/articles/movie-review-weight-of-chains-opens-in-dc.htm | url-status=live }}</ref>
[[Toni Ti]], writing in ''[[Brightest Young Things]]'', a [[Washington DC]] and [[New York City|New York]]-based web magazine, noted that the film "brings up a lot of issues the public may not be aware of". However, she describes the "often-gratingly blatant bias of the film maker". Malagurski, she says "employs a quippy sarcastic tone that sounds incredibly petulant and at times, too amateur for the gravitas subject matter". She goes on, "overall, spending 30 minutes on Kosovo and barely mentioning what really happened in Srebrenica leaves me questioning the director’s choice in taking this approach". Concluding, "what is he trying to show? It can be quite baffling at times".<ref name="Brightest Young Things">{{cite web | url=http://brightestyoungthings.com/articles/movie-review-weight-of-chains-opens-in-dc.htm | title=Weight Of Chains Opens In DC | publisher=Tony Ti - Brightest Young Things | date=May 23, 2011 | accessdate=26 September 2014 | archive-date=October 28, 2014 | archive-url=https://web.archive.org/web/20141028063037/http://brightestyoungthings.com/articles/movie-review-weight-of-chains-opens-in-dc.htm | url-status=live }}</ref>
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[[Vladislav Panov]] of ''[[Pečat]]'', a weekly political magazine in Serbia, wrote that the film is "very convincing" and that "Malagurski covered the facts and scenes in the film just as [[Michael Moore]] does in his documentaries. And just like that film maker, obviously Boris' main role model, Malagurski located the source of evil in [[Washington, D.C.|Washington]] and big American corporations which had come to buy us out after instructing and preparing 'irrational slaughters of primitive Balkan peoples' ", but added that "Boris bravely detected the main domestic culprits in [[G17 Plus]] in skimming the cream on behalf of foreigners".<ref>[http://www.pecat.co.rs/2011/09/film-o-demokratskom-ropstvu/ Film o demokratskom ropstvu] {{Webarchive|url=https://web.archive.org/web/20140916173514/http://www.pecat.co.rs/2011/09/film-o-demokratskom-ropstvu/ |date=September 16, 2014 }} Pecat Magazine online</ref>
[[Vladislav Panov]] of ''[[Pečat]]'', a weekly political magazine in Serbia, wrote that the film is "very convincing" and that "Malagurski covered the facts and scenes in the film just as [[Michael Moore]] does in his documentaries. And just like that film maker, obviously Boris' main role model, Malagurski located the source of evil in [[Washington, D.C.|Washington]] and big American corporations which had come to buy us out after instructing and preparing 'irrational slaughters of primitive Balkan peoples' ", but added that "Boris bravely detected the main domestic culprits in [[G17 Plus]] in skimming the cream on behalf of foreigners".<ref>[http://www.pecat.co.rs/2011/09/film-o-demokratskom-ropstvu/ Film o demokratskom ropstvu] {{Webarchive|url=https://web.archive.org/web/20140916173514/http://www.pecat.co.rs/2011/09/film-o-demokratskom-ropstvu/ |date=September 16, 2014 }} Pecat Magazine online</ref>


[[Konstantin Kilibarda]], writing for the blog [[Politics, Respun]], described the film as a "misguided attempt to give an alternative account of the wars in the former Yugoslavia", and that the film maker "attempts to minimize, deflect and distort the well established role of Serbian leaders in the former Yugoslavia in pursuing a militant nationalist program since the late 1980s, that sought to reclaim Kosovo through the imposition of martial law, as well as create 'ethnically compact' territories that would link Serbs in Serbia with Serbian minorities in Bosnia and Croatia".<ref name="Kilibarda">{{cite web | url=http://politicsrespun.org/2012/02/undermining-solidarity-in-the-balkans-reviewing-boris-malagurskis-the-weight-of-chains/ | title=Reviewing The Weight of Chains - Konstantin Kilibarda | accessdate=3 September 2014 | archive-date=September 22, 2013 | archive-url=https://web.archive.org/web/20130922222630/http://politicsrespun.org/2012/02/undermining-solidarity-in-the-balkans-reviewing-boris-malagurskis-the-weight-of-chains/ | url-status=live }}</ref>
[[Konstantin Kilibarda]], writing for the blog [[Politics, Respun]], described the film as a "misguided attempt to give an alternative account of the wars in the former Yugoslavia", and that the film maker "attempts to minimize, deflect and distort the well established role of Serbian leaders in the former Yugoslavia in pursuing a militant nationalist program since the late 1980s, that sought to reclaim Kosovo through the imposition of martial law, as well as create 'ethnically compact' territories that would link Serbs in Serbia with Serbian minorities in Bosnia and Croatia".<ref name="Kilibarda">{{cite web | url=http://politicsrespun.org/2012/02/undermining-solidarity-in-the-balkans-reviewing-boris-malagurskis-the-weight-of-chains/ | title=Reviewing The Weight of Chains - Konstantin Kilibarda | work=Politics, Re-Spun | date=November 30, 2001 | accessdate=3 September 2014 | archive-date=September 22, 2013 | archive-url=https://web.archive.org/web/20130922222630/http://politicsrespun.org/2012/02/undermining-solidarity-in-the-balkans-reviewing-boris-malagurskis-the-weight-of-chains/ | url-status=live }}</ref>


Historian [[Predrag Marković]], in a discussion at [[Singidunum University]], said that the film talks with a language understandable to young Westerners, and that "the author, with a fine irony, distances himself in regards to the local figures and presents a very complex problem, evading self-justification that many domestic directors are prone to."<ref name="Markovic">{{cite web | url=http://mediacentar.fmk.singidunum.ac.rs/februar-2012/teina-lanaca | title=''Težina lanaca'' Screening at FMK | publisher=mediacentar fmk singidunum ac rs | date=27 February 2012 | accessdate=20 November 2014 | author=Gašić, Dimitrije | archive-date=November 29, 2014 | archive-url=https://web.archive.org/web/20141129120808/http://mediacentar.fmk.singidunum.ac.rs/februar-2012/teina-lanaca | url-status=live }}</ref>
Historian Predrag Marković, in a discussion at [[Singidunum University]], said that the film talks with a language understandable to young Westerners, and that "the author, with a fine irony, distances himself in regards to the local figures and presents a very complex problem, evading self-justification that many domestic directors are prone to."<ref name="Markovic">{{cite web | url=http://mediacentar.fmk.singidunum.ac.rs/februar-2012/teina-lanaca | title=''Težina lanaca'' Screening at FMK | publisher=mediacentar fmk singidunum ac rs | date=27 February 2012 | accessdate=20 November 2014 | author=Gašić, Dimitrije | archive-date=November 29, 2014 | archive-url=https://web.archive.org/web/20141129120808/http://mediacentar.fmk.singidunum.ac.rs/februar-2012/teina-lanaca | url-status=live }}</ref>


[[Tristan Miller]], writing in the U.K.'s ''[[Socialist Standard]]'', wrote "the film’s flimsier claims and arguments can be explained as the work of a naïve but well-meaning patriot, but others cannot be so innocently excused" ... "for all the effort he spends decrying the dishonest propagandising which fuelled the Yugoslavian implosion, he certainly has no qualms employing many of the same tricks when it suits his own agenda". Concluding, "he has a very low estimation of the intelligence of his audience".<ref name="Miller review"/>
[[Tristan Miller]], writing in the U.K.'s ''[[Socialist Standard]]'', wrote "the film’s flimsier claims and arguments can be explained as the work of a naïve but well-meaning patriot, but others cannot be so innocently excused" ... "for all the effort he spends decrying the dishonest propagandising which fuelled the Yugoslavian implosion, he certainly has no qualms employing many of the same tricks when it suits his own agenda". Concluding, "he has a very low estimation of the intelligence of his audience".<ref name="Miller review"/>
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Both Miller and Kilibarda were sympathetic to the film's claim that Western economic policies contributed to social instability in the buildup to the [[Yugoslav Wars]].<ref name="Miller review"/> Kilibarda also stated that "Western media often engaged in collective blame of the Serbs" in the mid-1990s.<ref name="Kilibarda"/>
Both Miller and Kilibarda were sympathetic to the film's claim that Western economic policies contributed to social instability in the buildup to the [[Yugoslav Wars]].<ref name="Miller review"/> Kilibarda also stated that "Western media often engaged in collective blame of the Serbs" in the mid-1990s.<ref name="Kilibarda"/>


[[Lukáš Perný]], writing in the [[Slovakia|Slovak]] ''[[Zem a Vek]]'' magazine, noted that the film presents information that helps the viewer to understand the interests behind the "colonization" of Yugoslavia.<ref name="Perný">{{cite web|url=http://zemavek.sk/articles/view/v-srbsku-protestuju-v-uliciach-tisice-ludi-proti-nato|title=In Serbia, thousands of people protest in the streets against NATO|last=Perný|first=Lukáš|date=25 March 2016|publisher=Zem a Vek|accessdate=23 August 2017|archive-date=May 13, 2017|archive-url=https://web.archive.org/web/20170513095607/http://www.zemavek.sk/articles/view/v-srbsku-protestuju-v-uliciach-tisice-ludi-proti-nato|url-status=live}}</ref>
[[Lukáš Perný]], writing in the [[Slovakia|Slovak]] ''[[Zem a Vek]]'' magazine, noted that the film presents information that helps the viewer to understand the interests behind the "colonization" of Yugoslavia.<ref name="Perný">{{cite web|url=http://zemavek.sk/articles/view/v-srbsku-protestuju-v-uliciach-tisice-ludi-proti-nato|title=In Serbia, thousands of people protest in the streets against NATO|last=Perný|first=Lukáš|work=Zem a Vek - Časopis |date=25 March 2016|publisher=Zem a Vek|accessdate=23 August 2017|archive-date=May 13, 2017|archive-url=https://web.archive.org/web/20170513095607/http://www.zemavek.sk/articles/view/v-srbsku-protestuju-v-uliciach-tisice-ludi-proti-nato|url-status=live}}</ref>


Serbian film critic [[Vladan Petković]] described the film as "pro-Serbian conspiracy theorist propaganda". According to Petković, "the film is promoted as having been made in [[Michael Moore]]'s style, but it totally lacks Moore’s characteristic qualities. Instead Malagurski interviews journalists, politicians, ex-ambassadors and historians, who all promote the same one-sided story of Serbia as a victim of Western capitalist imperialism".<ref name="nytid">{{cite news |last=Gjerstad |first=Nils |date=20 May 2011 |title=Med skulderen til veggen |work=[[Ny Tid]] | pages= 48–49 }}</ref>
Serbian film critic [[Vladan Petković]] described the film as "pro-Serbian conspiracy theorist propaganda". According to Petković, "the film is promoted as having been made in [[Michael Moore]]'s style, but it totally lacks Moore’s characteristic qualities. Instead Malagurski interviews journalists, politicians, ex-ambassadors and historians, who all promote the same one-sided story of Serbia as a victim of Western capitalist imperialism".<ref name="nytid">{{cite news |last=Gjerstad |first=Nils |date=20 May 2011 |title=Med skulderen til veggen |work=[[Ny Tid]] | pages= 48–49 }}</ref>
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* {{Official website|https://weightofchains.ca/one/}}
* {{Official website|https://weightofchains.ca/one/}}
* {{YouTube|waEYQ46gH08|The Weight of Chains}}
* {{YouTube|waEYQ46gH08|The Weight of Chains}}
{{Boris Malagurski}}
{{Boris Malagurski}}


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[[Category:Documentary films about Yugoslavia]]
[[Category:Documentary films about Yugoslavia]]
[[Category:Yugoslav Wars films]]
[[Category:Yugoslav Wars films]]
[[Category:2010s English-language films]]
[[Category:2010 English-language films]]
[[Category:2010s Canadian films]]
[[Category:2010 Canadian films]]
[[Category:English-language documentary films]]
[[Category:English-language documentary films]]