Estampage: Difference between revisions
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[[File:SillaBrickDecoration.jpg | thumb | right | alt=A close-up photograph of an ancient carved stone or brick featuring a raised relief design of animals within scrolling vine patterns | An 8th-century decorated brick from the Silla period showcasing stamped relief art]] | |||
'''Estampage''' or stamping, is a term commonly used in [[epigraphy]] to obtain the exact replica of an inscription that cannot be transported. | '''Estampage''' or stamping, is a term commonly used in [[epigraphy]] to obtain the exact replica of an inscription that cannot be transported. | ||
According to Jayanti Madhukar,<ref name="jayanti_hindu_blr_2017">{{Cite news|url= | According to Jayanti Madhukar,<ref name="jayanti_hindu_blr_2017">{{Cite news|url=https://www.thehindu.com/society/what-do-the-inscription-stones-of-bengaluru-say/article21670654.ece|title=What do the inscription stones of Bengaluru say?|last=Madhukar|first=Jayanthi|date=2017-12-16|work=The Hindu|access-date=2017-12-19|language=en-IN|issn=0971-751X}}</ref> it is defined as: {{Blockquote | ||
|text=''a process of ‘lifting’ the inscriptions from the stone on to a piece of paper for a clearer read'' | |text=''a process of ‘lifting’ the inscriptions from the stone on to a piece of paper for a clearer read'' | ||
}} The [[Merriam-Webster Dictionary]] defines it as:<ref name="dict_mw">{{Cite web|url=https://www.merriam-webster.com/dictionary/estampage|title=Definition of ESTAMPAGE|website=www.merriam-webster.com|language=en|access-date=2017-12-19}}</ref> {{Blockquote | }} The [[Merriam-Webster Dictionary]] defines it as:<ref name="dict_mw">{{Cite web|url=https://www.merriam-webster.com/dictionary/estampage|title=Definition of ESTAMPAGE|website=www.merriam-webster.com|language=en|access-date=2017-12-19}}</ref> {{Blockquote | ||
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== Etymology == | == Etymology == | ||
According to T.S. Ravishankar, former director of the Epigraphy branch of the [[Archaeological Survey of India]] (ASI), Estampage is a purely Indian term used by [[Epigraphist]]s.<ref name="jayanti_hindu_blr_2017"/> | According to T.S. Ravishankar, former director of the Epigraphy branch of the [[Archaeological Survey of India]] (ASI), Estampage is a purely Indian term used by [[Epigraphist]]s.<ref name="jayanti_hindu_blr_2017"/> | ||
However, a more linguistically correct explanation would be that it originated from the French word [[:wikt:fr:estampage|estampage]] (by itself of Proto-Germanic etymology) that literally means 'stamping' and in practice, can mean either of the two processes, namely industrial stamping of steel ([[forging]]) or the artistic stamping of various materials. The latter meaning seems to | However, a more linguistically correct explanation would be that it originated from the French word [[:wikt:fr:estampage|estampage]] (by itself of Proto-Germanic etymology) that literally means 'stamping' and in practice, can mean either of the two processes, namely industrial stamping of steel ([[forging]]) or the artistic stamping of various materials. The latter meaning seems to have been adopted into epigraphy. | ||
== Process of estampage == | == Process of estampage == | ||
Estampage is typically obtained by pressing wet paper on to the rock face, over which any ink material (usually, coal or [[India ink|Indian ink]]) is wiped.<ref name="Springer_ACCV14_process">{{Cite book| | Estampage is typically obtained by pressing wet paper on to the rock face, over which any ink material (usually, coal or [[India ink|Indian ink]]) is wiped.<ref name="Springer_ACCV14_process">{{Cite book|last1=Aswatha|first1=Shashaank M.|last2=Talla|first2=Ananth Nath|last3=Mukhopadhyay|first3=Jayanta|last4=Bhowmick|first4=Partha|title=Computer Vision - ACCV 2014 Workshops |chapter=A Method for Extracting Text from Stone Inscriptions Using Character Spotting |date=2014-11-01|series=Lecture Notes in Computer Science|volume=9009 |language=en|publisher=Springer, Cham|pages=598–611|doi=10.1007/978-3-319-16631-5_44|isbn=9783319166308}}</ref> | ||
A representative procedure<ref name="Springer_ACCV14_process"/> is listed below: | |||
* Soak a brush in water | * Soak a brush in water | ||
* Clean the surface of the stone (that holds the inscription) using the brush. | * Clean the surface of the stone (that holds the inscription) using the brush. | ||
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Some of them include: | Some of them include: | ||
* [[Edicts of Ashoka]] and [[Edicts of Ashoka#Estampages of Girnar Edicts|Estampages of Girnar Edicts]] in particular | * [[Edicts of Ashoka]] and [[Edicts of Ashoka#Estampages of Girnar Edicts|Estampages of Girnar Edicts]] in particular | ||
* [[Syriac language|Syriac]]/[[Middle Persian|Pahlavi]] inscriptions of [[Kerala]]<ref name="jstor_pahlavi_kerala">{{Cite journal|last=Winckworth|first=C. P. T. | * [[Syriac language|Syriac]]/[[Middle Persian|Pahlavi]] inscriptions of [[Kerala]]<ref name="jstor_pahlavi_kerala">{{Cite journal|last=Winckworth|first=C. P. T.|title=A New Interpretation of the Pahlavi Cross-Inscriptions of Southern India |date=1929|jstor=23950669|journal=The Journal of Theological Studies|volume=30|issue=119|pages=237–244|doi=10.1093/jts/os-XXX.April.237 }}</ref> | ||
== Museums and displays == | == Museums and displays == | ||
In 2016, the epigraphy branch of the ASI Southern Zone opened a new, permanent museum and exhibition of estampages named ''Eugen Julius Theodor Hultzsch Memorial Museum and Epigraphical Photo Exhibition'' at the historic [[Fort St. George, India|Fort St. George]] at [[Chennai]], South India. This museum is named after [[E. Hultzsch]], a German epigraphist and [[Indology|Indologist]] renowned for understanding and deciphering the ancient inscriptions of Ashoka, as part of his 159th birthday celebrations.<ref name="thehindu_museum_chennai">{{Cite news|url= | In 2016, the epigraphy branch of the ASI Southern Zone opened a new, permanent museum and exhibition of estampages named ''Eugen Julius Theodor Hultzsch Memorial Museum and Epigraphical Photo Exhibition'' at the historic [[Fort St. George, India|Fort St. George]] at [[Chennai]], South India. This museum is named after [[E. Hultzsch]], a German epigraphist and [[Indology|Indologist]] renowned for understanding and deciphering the ancient inscriptions of Ashoka, as part of his 159th birthday celebrations.<ref name="thehindu_museum_chennai">{{Cite news|url=https://www.thehindu.com/news/cities/chennai/asi-opens-museum-of-estampages-from-across-india/article8407198.ece|title=ASI opens museum of estampages from across India|last=Swaminathan|first=T. s Atul|date=2016-03-29|work=The Hindu|access-date=2017-12-19|language=en-IN|issn=0971-751X}}</ref> | ||
== See also == | == See also == | ||
* [[Fernand Courby]], a French archaeologist | * [[Fernand Courby]], a French archaeologist | ||
* [http://www.mom.fr/estampages/presentation.html Collection of over 10,000 estampages from Greece and Middle East] at [[Maison de l'Orient et de la Méditerranée]], Lyon, France | * [http://www.mom.fr/estampages/presentation.html Collection of over 10,000 estampages from Greece and Middle East] at [[Maison de l'Orient et de la Méditerranée]], Lyon, France | ||
* [[Rubbing (art)]] | |||
== References == | == References == | ||
Latest revision as of 02:48, 2 October 2026
Estampage or stamping, is a term commonly used in epigraphy to obtain the exact replica of an inscription that cannot be transported.
According to Jayanti Madhukar,[1] it is defined as: Template:Blockquote The Merriam-Webster Dictionary defines it as:[2] Template:Blockquote
Etymology
According to T.S. Ravishankar, former director of the Epigraphy branch of the Archaeological Survey of India (ASI), Estampage is a purely Indian term used by Epigraphists.[1] However, a more linguistically correct explanation would be that it originated from the French word estampage (by itself of Proto-Germanic etymology) that literally means 'stamping' and in practice, can mean either of the two processes, namely industrial stamping of steel (forging) or the artistic stamping of various materials. The latter meaning seems to have been adopted into epigraphy.
Process of estampage
Estampage is typically obtained by pressing wet paper on to the rock face, over which any ink material (usually, coal or Indian ink) is wiped.[3]
A representative procedure[3] is listed below:
- Soak a brush in water
- Clean the surface of the stone (that holds the inscription) using the brush.
- Carpet the stone surface using a large piece of wet paper (or layers of paper)
- Pat the wet paper(s) gently, using a dabber made of soft material.
- Use Indian ink (usually black-colored) to smear the paper with the dabber, in order to get the impression of the surface.
- Allow the paper to dry on the stone surface.
- When the paper becomes dry, take it off slowly.
- Observe and verify the ink impression (estampage) emerging as white-colored letters (grooves of the characters) against the dark (black) background.
Epigraphers usually take a long time (days to weeks) to post-process the generated estampages, as they try to decipher, analyze, transliterate and translate the inscribed text.
Usage
Within India, estampages have been made for numerous items and inscriptions of archaeological significance.[4][5] Some of them include:
- Edicts of Ashoka and Estampages of Girnar Edicts in particular
- Syriac/Pahlavi inscriptions of Kerala[6]
Museums and displays
In 2016, the epigraphy branch of the ASI Southern Zone opened a new, permanent museum and exhibition of estampages named Eugen Julius Theodor Hultzsch Memorial Museum and Epigraphical Photo Exhibition at the historic Fort St. George at Chennai, South India. This museum is named after E. Hultzsch, a German epigraphist and Indologist renowned for understanding and deciphering the ancient inscriptions of Ashoka, as part of his 159th birthday celebrations.[7]
See also
- Fernand Courby, a French archaeologist
- Collection of over 10,000 estampages from Greece and Middle East at Maison de l'Orient et de la Méditerranée, Lyon, France
- Rubbing (art)
References
- ↑ 1.0 1.1 Madhukar, Jayanthi (2017-12-16). "What do the inscription stones of Bengaluru say?" (in en-IN). The Hindu. ISSN 0971-751X. https://www.thehindu.com/society/what-do-the-inscription-stones-of-bengaluru-say/article21670654.ece.
- ↑ "Definition of ESTAMPAGE" (in en). https://www.merriam-webster.com/dictionary/estampage.
- ↑ 3.0 3.1 Aswatha, Shashaank M.; Talla, Ananth Nath; Mukhopadhyay, Jayanta; Bhowmick, Partha (2014-11-01). "A Method for Extracting Text from Stone Inscriptions Using Character Spotting" (in en). Computer Vision - ACCV 2014 Workshops. Lecture Notes in Computer Science. 9009. Springer, Cham. pp. 598–611. doi:. ISBN 9783319166308.
- ↑ Salomon, Richard (1998). Indian Epigraphy : a Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the other Indo-Aryan Languages.. New York: Oxford University Press. ISBN 978-0195356663. OCLC 466425560.
- ↑ "EPIGRAPHY - ARCHAEOLOGY". http://www.tnarch.gov.in/epi.htm.
- ↑ Winckworth, C. P. T. (1929). "A New Interpretation of the Pahlavi Cross-Inscriptions of Southern India". The Journal of Theological Studies 30 (119): 237–244. doi:.
- ↑ Swaminathan, T. s Atul (2016-03-29). "ASI opens museum of estampages from across India" (in en-IN). The Hindu. ISSN 0971-751X. https://www.thehindu.com/news/cities/chennai/asi-opens-museum-of-estampages-from-across-india/article8407198.ece.