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Icons of American culture: Difference between revisions

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File:American-cities-145.jpg|'''The [[Depression]] and [[Prohibition]]''': surviving adversity again.  
File:American-cities-145.jpg|'''The [[Depression]] and [[Prohibition]]''': surviving adversity again.  


File:Barnum & Bailey greatest show on Earth poster.jpg|'''Consumption and commerce''': the bissest show on earth. Bigger and better.
File:Barnum & Bailey greatest show on Earth poster.jpg|'''Consumption and commerce''': the biggest show on earth. Bigger and better.


File:1923 Ford Model T Roadster 3b36638r.jpg|'''Vehicles and transportation''': [[Henry Ford]] pioneered the large-scale [[production line]], and thereby the affordable personal automobile.
File:1923 Ford Model T Roadster 3b36638r.jpg|'''Vehicles and transportation''': [[Henry Ford]] pioneered the large-scale [[production line]], and thereby the affordable personal automobile.

Revision as of 06:43, 4 August 2009


American football

Icons of American culture encompass many kinds of cultural expression. Iconic status is hard to define but readily recognized as symbolizing the culture, history and heritage of the United States. Images, music, historic events and legends, vehicles, places and ideas may all be symbolic of the American way of life, its roots and the contemporary national identity. Icons deal not just with nostalgia, although that is an important component. The United States developed as a melting-pot of different cultures, and symbols of the new nation played a vital part in developing a sense of unity as a nation.[1] In the twentieth century, regardless of political reality, American culture influenced every country in the world by exporting powerful symbols of unity and gratification: a comfortable life with many desirable possessions. A more cynical modern world sees through some of this, but with the reach of the internet and published media, iconic images remain hugely important.


Themes

This article is not a list of icons, but an outline for expansion.

See also

References

  1. ↑ John Belton, American Cinema/American Culture: "[In the 20th century] a coherent national identity had to be maintained (or re-created?) and it was precisely the American cinema that served as a kind of social bridge".
  2. ↑ Cities of Tomorrow: An Intellectual History of Urban Planning and Design in the Twentieth Century by Peter Hall: WileyBlackwell 2002, ISBN 978-0631232520
  3. ↑ Chester Himes, the hip city.
  4. ↑ To Read a Mockingbird. Library Journal (New York) 129 (14): 13.. 1 September 2004


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